A Design Magazine

A Design Magazine featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Discover 745 award-winning designs tagged Graphic on A Design Magazine.

Cafe Tunico Brand Design

Cafe Tunico

A brand that translates family history. Coffee, family, 7 children and Mr Tunico. These are the pillars of this story, and that is what the logo translates. The coffee design discreetly replaces the i dot; the inseparable companion hat represents Mr Tunico; the typography represents family tradition and the handcraft way of coffee production. A seal design is to identify the brand quickly when applied into various places and objects with the use of the T, initial letter of Tunico, his hat and the 7 grains around, representing the 7 children to whom he passed the legacy of his lands and crops.

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Pizzamax Rebrand

Pizzamax

Pizzamax is a brand identity for a small pizza restaurant chain in Lithuania. The earlier identity mixed several graphic styles and gave customers little sense of the brand. The redesign uses a simplified logo with red, black and white, colors linked to classic Italian pizza. The words pizza and max are placed on different sides of the business cards and pizza boxes. The letters M and X have curved ends that suggest bakers carrying pizzas with straight arms. The identity is applied to business cards, letterhead, pizza boxes and clothing.

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Digital Design Days Rebranding

Digital Design Days

Digital Design Days is a brand identity created for an international digital design event. The logo is a responsive sign that adapts to the size of use by changing the frequency of the single elements that form it. The letter D is built from these elements and suggests light, energy and movement. A palette of nine colors marks the different editions and countries, while a line version supports black and white use. The identity works in digital media and in print, at small and at large sizes.

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Seotun Saram Corporate Identity

Seotun Saram

Seotun Saram is a corporate identity for a service that connects people seeking help with professional counselors. The name refers to someone who is not yet skilled, and the slogan states that everyone starts clumsily. A fairy tale describes the counseling process for people who are unfamiliar with counseling. The story has two characters: Seotun, a wandering counselee, and Gobukki, a slow but reliable counselor. Warm paper texture, lyrical navy blue of the night sky and hand-drawn icons form the visual system. The intent is to present counseling as friendly, warm and safe.

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Lord Qu Visual Identity

Lord Qu

Lord Qu is a visual identity created for a snack brand in Quzhou, China. The identity presents traditional Chinese food culture in a modern way for younger consumers. A character based on Confucius forms the central symbol, and the hair knot of the character is shaped like a steamed bun. Linear cartoon drawings connect the character with historical motifs such as the flying dragon, the Confucius Temple and auspicious clouds. A pig nose symbol is applied to steamers, tableware, lamps and seat backs in the restaurant space.

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Route Poster

Route

Route is a poster created as a school typography project. Field research in the city was carried out to record authentic letterforms. An elegant handwritten script found on a van was selected as the inspiration. The double stroke left by markers on the glossy surface forms the main visual language of the poster. The name Route refers to the inspiration photograph, which was taken from a moving car, and to the double lines, which recall the ruts left by wheels. The final poster expresses movement and direction.

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Two of Hearts Illustration

Two of Hearts

"Two of Hearts" is a vector illustration specially created for the collaborative project called "Luck of the Draw" which regrouped artists from around the world to create a unique deck of playing cards. The illustration concept is inspired by the fox from "The Little Prince" fable written by Antoine de Saint-Exupéry. It is a hint to the lesson that the fox teaches about relationships.

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Gan Song Brand Visual

Gan Song

Gan Song is a brand visual identity created for a specialty brand from the Mayang area of China. The design is inspired by the local landscape and Miao culture. Fine lines of varied thickness form the shape of the mountains and of the Jinjiang River. A smiling girl in Miao dress represents harvest and hope. The identity is applied to brochures, cards, envelopes, packaging and outdoor advertising, with foil printing, embossing, laser cutting and gilding. All patterns are vectorized, so the identity can be printed at any size.

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The Timeless Virtues Calendar

The Timeless Virtues

In Particular, when the evening came, every house sounds the classic music of Yang Lihue Opera. The Yang Lihua Opera became the common vision of the family. People have real feelings and enjoy visual and hearing impact shock in order to enjoyment level. With an impressive plot and the spirits of traditional Yang Lihua Opera, perfect performance, dazzling costume and great characters to the parents and children become (mysterious and) fairy tale world filled with the traditional opera. The Yang Lihua opera was classic, and with a contemporary edge.

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Tualcom Logo and Brand Identity

Tualcom

The logomark of Tualcom is inspired by the radiofrequency waves, which is related to the field that the company operates, and it simply connects the letters of Tual. Therefore, the logo not only emphasizes the company name but also refers to the operation fields of them. The branding is shaped around the idea of horizontal red stripes that are coupled with vertical blue ones to achieve a sense of continuity and communication. The resulting graphic language and the visual system instantly communicate with the broad audience compactly and efficiently.

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Subsidy Programme Series Visual Identity

Subsidy Programme Series

Subsidy Programme Series is a visual identity created for a public subsidy programme supporting the cultural and creative industries of Macao. The series promotes support for music and fashion creation and invites the public to take part. The design is based on the idea shared by both fields, which is creative innovation. Photographs of a microphone, a music machine, a thread roll and a sewing machine are combined into small imagined worlds. Each composition aims to express the purity of the creative process.

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2019 World Industrial Design Conference Visual Identity System

2019 World Industrial Design Conference

World Industrial Design Conference is a visual identity system created for a global industrial design event. The letter I in the conference logo is extended into a light cone, which is the main supporting graphic of the identity. The light cone stands for industry, integration, international exchange and innovation. Light cones in several colors rise upward and represent designers, design institutions, manufacturing companies and universities. The identity is applied in flat graphics and in three dimensional animation, guided by a set of design standards.

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